Five Tips for Photographing Paintings

Five Tips for Photographing Paintings

with 12 Comments

If you’re an artist, chances are you’ve tried your hand at photographing paintings. After all, we eventually need photos of our work for advertising, promotion and record-keeping. Or just to send to Grandma. But you may have realized that getting the colors in your photo to match the colors in your painting isn’t as easy as you may have thought. 

Lots of comprehensive art photography tutorials can be found online. So I won’t try to give a full rundown of all that goes into it. But I do want to share some tips that have made photographing paintings easier for me and have given me better results.

1. Use a Tripod and an Actual Camera

Holding your iPhone steady and straight just doesn’t always work. I’ve found that an actual camera mounted on a tripod makes a difference. It gives you a better chance at sharply-focused photos. Plus you can get your painting lined up just right in your viewfinder so that the edges are straight in your photograph. 

Remember that image quality is about more than megapixels. The image processor in your digital camera is likely much better than the one in your phone, which means a lot less noise in your photos when viewed up close. My photos from my old 8 megapixel digital camera produced far higher image quality than my 12 megapixel iPhone camera. 

Your phone camera will work fine in a pinch, especially when you’re just using it to share photos on social media. But for record keeping or print advertising, an actual digital camera is superior. 

Polarizing Filter
Polarizing filter for reducing glare

2. Use a Polarizing Filter

A polarizing filter on your camera lens will help you reduce glare, which ALWAYS seems to be an issue when photographing paintings. 

3. Light Your Artwork Evenly

Do your best to evenly light your painting, whether you’re shooting inside or outside. If one side of your painting is lit up more than the other side, it will be noticeable in your photograph.

Color Checker Passport color swatch card

4. Try Color Checker Passport

I ordered one of these several months ago. It’s a color calibration tool that works with Adobe Camera Raw. It has helped me get the colors in my photos right in just a few steps. 

Using the included computer software, you can create a color profile for your particular camera. Then Adobe Camera Raw will account for the way your specific camera sees color. 

It’s also very helpful for adjusting the color in your photographs of your paintings. The color swatch card itself should be set up next to your painting and included in the frame with your painting. Once you’ve taken the photo, import it into Adobe Camera Raw. Then you can use the white point swatches on the card in your photo to make adjustments to the colors in your photo. This way you can account for the color temperature of your given light source and see how it affects the colors in your painting. 

Photographing paintings with the Color Checker Passport swatch card
Photographing paintings with the Color Checker Passport swatch card

Once you’re pleased with the colors in your photo you can crop out the color swatch card. Your finished file then includes only your beautiful painting. 

You can purchase Color Checker Passport at

5. Use a Quality Camera and Lens

Around the time that I purchased the Color Checker Passport, I also upgraded my camera. I bought a Canon EOS R and a Canon RF 50mm F1.2 prime lens to go with it. It was time — I’d been using my old Canon EOS 30D for 12 years at least, along with its average-quality kit lens. 

The upgrade meant that I went from 8 megapixels to 30 megapixels. But I think the new lens made an even bigger difference than the megapixel increase. 

  • The lens is much sharper than my old lens — the image is sharp from edge to edge. 
  • It also has a very low amount of geometric distortion so the edges of paintings remain straight along the borders of the photo frame. 
Canon EOS R with 50mm prime lens
Canon EOS R with 50mm prime lens

Besides photographing paintings, it’s a great lens for photographing subjects to paint. 

  • Very fast auto-focus performance 
  • The wide f/1.2 aperture is fantastic in low light (unbelievable, actually!)

I doubt anyone reading this will go buy a new camera and lens, but it has made a big difference for me.

As for the other tips, I hope they will help you next time you’re photographing paintings!

12 Responses

  1. Liz Rudinica
    | Reply

    Thanks fit this helpful information! I love your paintings the colors, subject matter. They are truly beautiful!!!!

    • Dan Schultz
      | Reply

      Much appreciated, Liz. Glad you found the info helpful!

  2. Sherri Trout
    | Reply

    Thank you Dan for adressing this. I need to get a camera as the phone just isn’t cutting it.

    Keep painting, love your work.

    Sincerely, Sherri

    • Dan Schultz
      | Reply

      Hi Sherri — it definitely takes some effort to get good results photographing artwork. Sometimes the phone is decent but I’m sure you’ll like the results with a better camera.

  3. Scott Dienhart
    | Reply

    Awesome insights Dan.
    My biggest issue is photographing my paintings. Next in line is framing.
    Any framing thoughts Dan ?

    • Dan Schultz
      | Reply

      Hi Scott! Framing seems to be such a personal preference for most people. I’m not sure a blog post would be all that helpful to others, but I’ll keep it in mind….

  4. Tricia Hillenburg
    | Reply

    Actually I am looking at cameras right now. Great timing. Can you expound on why you chose canon over others?

    • Dan Schultz
      | Reply

      Hi Tricia, I already had some other Canon lenses so I wanted to stick with Canon if I could. Plus I have been happy with Canon’s color recognition overall. But I spent a lot of time on researching and reading reviews.

  5. Karen Solorzano
    | Reply

    Thank you Dan. This was a very helpful explanation. Now I understand why my art looks so distorted in photos.

  6. Anette Power
    | Reply

    I keep returning to this post of yours as it is so helpful!! Ended up getting a Sony a7R II Full-Frame Mirrorless Interchangeable Lens Camera and some of the other items you mentioned. Let me know if you would ever consider doing a half day workshop on photographing work, as a way to go through the motions of setting it all up. 😊😊😊 I’m sure we could get a few more artists interested as well.

    • Dan Schultz
      | Reply

      I’m glad my post has been helpful, Anette! I bet you’re excited to have your new camera — very cool. I might consider teaching a workshop on photographing artwork, but I’m happy to walk you through it next time you’re in Ojai if you want. 🙂 I feel like I’m still dialing in my process as well.

  7. Ron Bowles
    | Reply

    Thank you for this article Dan. I have been dealing with this issue far to long.

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