I’ve heard a lot of artists say they wish they could loosen up in their work. Certainly, many of us aspire to create paintings that look loose and effortless, but we find that it’s easier said than done.
When looking at a loosely painted piece, it’s easy to assume that in order to paint loosely, you have to paint messily. The faster the better. Energetically fling the paint and watch as a fantastically loose and effortless painting appears within minutes.
Have you ever tried that approach? Something messy does appear. And not really in a good way.
So how is it done?
On many occasions, I’ve had the opportunity to watch other artists paint — many of whom I admire for the looseness of their work. And I discovered that they don’t paint in a messy fashion at all. They actually paint relatively slowly, taking time to execute the right brushstrokes to achieve a loose effect. They have mastered their drawing, value and color skills, and have chosen to use their brushwork to create a loose look.
I realize that I’m not the loosest of painters. However, as I’ve progressed in my painting efforts, it’s becoming clear that loose brushwork is the result of restraint, not speed. More control, not less. Better planned strokes, not thoughtless dabbing.
Remember that we can’t ignore the fundamentals underlying it all. If we don’t know how to draw accurately, compare values or understand color relationships, loose brushstrokes aren’t going to help.
Once we have a good handle on the fundamentals, what can we do if we want to loosen up?
Here are a few ideas:
- Give yourself permission to loosen up! The only one making you put in all that detail is you. Experiment by purposely leaving out details, and see if you can still make the painting work. You still need accurate shapes, values and colors. But paint them simply. Discern which details you really need.
- Mix up bigger piles of paint. It’s tough to make a painting look loose with too little paint. Squeeze out more color from your tubes and use it in your mixtures. Having plenty of paint ready to go makes it easier to apply it liberally.
- Let your big brushes do the work. You can achieve a remarkable amount of detail with a large brush. Smaller brushes mean smaller brushstrokes, which probably mean less simplicity. Use your smaller brushes only where you really need them to achieve important details.
- Allow a few well-placed brushstrokes to carry the painting. These might be early strokes you laid down in the beginning stages that you allow to show through at the end. Or you might purposely add some larger brushstrokes near the end of the painting session to increase the look of looseness and simplicity.
Look for ways to loosen up.
One of the reasons I love painting figures in the landscape is that they provide an opportunity for me to loosen up. A loose, simple landscape is a nice contrast behind the tighter rendering of a figure. (The full painting of my younger son, pictured above, can be seen here.)
Plein air landscape painting is also a great chance to loosen up if you allow yourself to simplify all that outdoor detail. (Click here to see the full painting of the landscape in the post heading.)
This topic of looseness is actually closely tied to my post on how to avoid overworking our paintings. So head over to that post for more tips that can contribute to looser, simpler paintings.
Do you have any other tips on how to loosen up our paintings?
Karen Storm Solorzano
You are a treasure. Your posts are so informative — precise and concise. Thank you for sharing your knowledge with us. It is very valuable — especially during these times.
Hi Dan. Thank you sharing your knowledge. Always great to get your newsletters. Be safe out there!
Your figure paintings are beautiful! Painting in a loose fashion is something I have recently tried. Whenever I have painted in the past I always got caught up in the details and never liked what I did, thus not painting very much. Given the recent confinement, I did a painting loosely and liked it better than anything I had done in the past. Thanks for the advice.
I appreciate your comments — happy to share what I’m learning with all of you. 🙂
Thank you Dan! I appreciate all your painting tips.
Great tip. An exercise that helped me was to do small still life objects with a limited number of brushstrokes…40 or even 20. So appreciate the information you share.